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April 30, 2007
side project: hand-drawn animation
by sven at 5:13 pm
I've started reading The Animator's Survival Kit again, after having put it down for about a year.
My jaw's been hanging floppy watching Justin Rasch learn how to animate puppets. Damn he's good! My suspicion is that he's going so fast and doing so well because he's done 2D animation in the past. Viewed frame-by-frame, I've noticed a few timing tricks in his clips that I know come out of the 2D tradition.
This observation clicked in my head with a little article over at AnimateClay.com, a simple way to get better sculpts.
"It’s very simple. If you draw something before you sculpt it, you have a better feel for it when you sit down to sculpt. It gives you a much better understanding of the shape, and feel of what you’re about to sculpt."
Since puppet animation is really just sculpting -- with the added dimension of time -- it seems like a "duh" that if I want to get better at stopmo, hand-drawn animation is actually the place to start.
Cross-fertilization, yo! ...'Cuz purists can only copy. If you want to learn how to make something new, then multi-disciplinary / mixed-media / synthesis / response is the only way to go!
posted by sven | April 30, 2007 5:13 PM | comments (1) | categories: stopmo
Comments
Where have you been seeing Justin's clips? I thought he's only posted the little girl test walk and the doggie test walk so far? You don't mean his wife Shel's learning tests do you?
Or maybe you are referring to the two clips he's shown over there, they were good enough to feel as you do about them. I showed the little girl test to Paul and he said the other day that he's STILL thinking about how great it was!
Posted by: shelley Noble at May 1, 2007 1:31 AM